Framing “Flow”: The Need for Spaces of Alternate Reality
“Now, ‘ecstasy’ in Greek meant simply to stand to the side of something. And then it became essentially an analogy for a mental state where you feel that you are not doing your ordinary everyday routines. So ecstasy is essentially a stepping into an alternative reality. And it’s interesting, if you think about it, how, when we think about the civilizations that we look up to as having been pinnacles of human achievement — whether it’s China, Greece, the Hindu civilization, or the Mayas, or Egyptians — what we know about them is really about their ecstasies, not about their everyday life. We know the temples they built, where people could come to experience a different reality. We know about the circuses, the arenas, the theaters. These are the remains of civilizations and they are the places that people went to experience life in a more concentrated, more ordered form. Now, this man doesn’t need to go to a place like this, which is also — this place, this arena, which is built like a Greek amphitheatre, is a place for ecstasy also. We are participating in a reality that is different from that of the everyday life that we’re used to.”
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